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The Shochiku Centennial Collection
Carmen Comes Home
Directed by Kinoshita Keisuke, 1951
New 35mm print
an Asian woman in 50s style western dress with a scarf in her hair, singing

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Melville et Cie.
Rififi
Directed by Jules Dassin, 1955
Screening on Film
Jean Servais talks to Carl Möhner on a city street, beneath an umbrella
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Melville et Cie.
Bob le flambeur
Directed by Jean-Pierre Melville, 1956
a side portrait shot of Roger Duchesne as Bob at a casino table

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Psychedelic Cinema
One Step Away
Directed by Ed Pincus and David Neuman, 1968
a fuzzy image of a long-haired, mustachioed white man speaking in a room with a toddler behind him
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Melville et Cie.
Le deuxième souffle
Directed by Jean-Pierre Melville, 1966
Screening on Film

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Melville et Cie.
The Silence of the Sea
Directed by Jean-Pierre Melville, 1949
Screening on Film
Howard Vernon in military uniform sits speaking to a barely visible man and woman
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Melville et Cie.
Les enfants terribles
Directed by Jean-Pierre Melville, 1950
Screening on Film
a medium close-up of Nicole Stéphane leaning over Edouard Dermithe's shoulder

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The Shochiku Centennial Collection
Where Spring Comes Late
Directed by Yamada Yoji, 1970
Andrew Gordon in Conversation with Alex ZahltenNew 35mm print
two Asian men look distressed at their female friend who gazes off in a train station

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Melville et Cie.
Magnet of Doom
Directed by Jean-Pierre Melville, 1969
Jean-Paul Belmondo playing pinball in a white t-shirt with another t-shirted man looking on
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Melville et Cie.
Le samouraï
Directed by Jean-Pierre Melville, 1967
Recently Restored
close-up of Alain Delon looking calmly into the barrel of a gun pointed at him

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Psychedelic Cinema
2001: A Space Odyssey
Directed by Stanley Kubrick, 1968
Screening on Film
close-up of a white male astronaut with many lights reflecting on his face shield

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Melville et Cie.
Le trou
Directed by Jacques Becker, 1960
black and white image of a man chipping away at a prison wall

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António Campos and the Promise of Cinema ...
Belarmino
Directed by Fernando Lopes, 1964
Belarmino looking down in a wash basin while a man behind him combs his hair in front of a hanging mirror
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António Campos and the Promise of Cinema ...
Change of Life
Directed by Paulo Rocha, 1966
a man sits outside next to Isabel Ruth who holds his hand in both of hers

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Psychedelic Cinema
Lucifer Rising / Inauguration of the Pleasure Dome
Screening on Film
a saturated, multiple-exposed image of people in various costumes and a woman's red face
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Psychedelic Cinema
El Topo
Directed by Alejandro Jodorowsky, 1970
Screening on Film
two figures in the desert wearing hats, their faces covered by cloths

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António Campos and the Promise of Cinema ...
Paths
Directed by João César Monteiro, 1977
the view of a woman's face as she lies down with her head back, seen from the head of the bed, looking like a landscape
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António Campos and the Promise of Cinema ...
Vilarinho das Furnas
Directed by António Campos, 1971
José Manuel Costa in Conversation with Haden Guest
a black and white image of someone pouring milk into a cup

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António Campos and the Promise of Cinema ...
Falamos de Rio de Onor / Gente de Praia da Vieira
José Manuel Costa in Conversation with Haden Guest
a man outside in a earth-toned painterly looking landscape

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António Campos and the Promise of Cinema ...
Trás-os-Montes
Directed by António Reis and Margarida Cordeiro, 1976
a Vemeer-like view of a Portuguese woman with a white head scarf on looking out a window
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António Campos and the Promise of Cinema ...
Mild Manners
Directed by Alberto Seixas Santos, 1974
Screening on Film
a group of older in men in suits and hats sitting around a table with a young woman in front of a stylized wall mural

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Melville et Cie.
Le doulos
Directed by Jean-Pierre Melville, 1962
Screening on Film
an overhead shot of Jean-Paul Belmondo and a woman sitting at a table in a nightclub looking up at the camera
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Melville et Cie.
Max and the Junkmen
Directed by Claude Sautet, 1971
Screening on Film
Michel Piccoli talking to a skeptical Bernard Fresson

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Melville et Cie.
Army of Shadows
Directed by Jean-Pierre Melville, 1969
Screening on Film
Lino Venura holding a briefcase, looking out at the camera, surrounded by those working in a government office
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António Campos and the Promise of Cinema ...
The Vows
Directed by António de Macedo, 1972
Screening on Film
a close up of a man and woman lying in bed at night, softly lit

Current Programs

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Melville et Cie.

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Psychedelic Cinema

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Fragments of a Faith Forgotten: The Art of Harry Smith

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The Shochiku Centennial Collection

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António Campos and the Promise of Cinema Novo

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sepia photo of Artie Freedman in silhouette with a video camera at show

Boston Punk Rewound / Unbound. The Arthur Freedman Collection

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The Yugoslav Junction: Film and Internationalism in the SFRY, 1957 – 1988

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From the Jenni Olson Queer Film Collection

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a mausoleum that looks like a miniature Spanish cathedral, next to a variety of others, against an evening sky

The Night Watchman by Natalia Almada

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a double-exposed image that includes a 16th century Russian man being fed grapes by another amid decadent decor

Wings of a Serf