Arturo Ripstein (b. 1943) is one of the most vital and important Mexican filmmakers of the transition period between the 1940s and 1950s Golden Age of the studio era and the New Mexican Cinema that emerged in the late 1980s. Son of a prominent Mexican producer, Ripstein was born and bred into cinema and was mentored from a young age by several great filmmakers, among them Luis Buñuel who allowed Ripstein to be on set during the filming of El angel exterminador (1962). Ripstein made his directorial debut shortly after with Tiempo de morir (1965), a Mexican Western written by Gabriel Garcia Marquez and Carlos Fuentes. Ripstein began a tradition of working with prized Latin American writers, until he met screenwriter Paz Alicia Garciadiego, who he continues to collaborate with. In Bleak Street (2015), the pair's latest movie, two prostitutes are burdened with bad marriages and financial problems. Wounded and narcissistic, the prostitutes drug and rob dwarf twins working as luchadores. A tragicomic plot, along with characters who are at once painful and pleasurable to watch, has become the signature style of Ripstein. Fearless and subversive, Ripstein and Garciadiego’s films artfully transform popular genres—the Western, the "family film" and, above all, melodrama—into devastating attacks against the inveterate prejudice and myopia deeply-rooted in Mexican culture and history. Although the films of Ripstein and Garciadiego remain distinctly iconoclastic and controversial, Ripstein speaks of their process as palpably harmonious. In an interview with Chicano scholar Sergio de la Mora, he mentions: “My work begins when her work is finished so we do not really interfere with each other, we collaborate.”  – Wen Zhuang

About the Collection

The Arturo Ripstein Papers, a collection of screenplays, photographs and other papers relating to the director and screenwriter Paz Alicia Garciadiego’s life, is held at the Houghton Library.

A finding aid for the collection is available here.