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The Shochiku Centennial Collection

The HFA celebrates and showcases the latest additions to the Shochiku Centennial Collection: two newly struck 35mm prints of seminal films from the pioneering studio: the historic landmark Carmen Comes Home, one of Japan’s first color features, and Where Spring Comes Late, a little-known classic of Seventies cinema that ambitiously set out to capture a sweeping portrait of the Japanese nation from the point of view of a displaced Kyushu family making the long voyage to northernmost Hokkaido.

Current and upcoming film series

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Melville et Cie.

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Psychedelic Cinema

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Fragments of a Faith Forgotten: The Art of Harry Smith

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António Campos and the Promise of Cinema Novo

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sepia photo of Artie Freedman in silhouette with a video camera at show

Boston Punk Rewound / Unbound. The Arthur Freedman Collection

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The Yugoslav Junction: Film and Internationalism in the SFRY, 1957 – 1988

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From the Jenni Olson Queer Film Collection

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a mausoleum that looks like a miniature Spanish cathedral, next to a variety of others, against an evening sky

The Night Watchman by Natalia Almada

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a double-exposed image that includes a 16th century Russian man being fed grapes by another amid decadent decor

Wings of a Serf