Cairo Station
Cairo Seen By Youssef Chahine
Chahine himself stars in this melodrama of poverty and sexual frustration that shocked Arab audiences in the 1950s. The filmmaker is remarkably effective as a crippled newsvendor who lives alone in a squalid, pinup-lined shack and whose obsession with a beautiful young lemonade stand vendor leads inevitably towards violence. One of the decisive turning points in Chahine’s long career, Cairo Station marked a new visual daring and embrace of ambitious and controversial subject matter, an attempt to rejuvenate formula-driven mainstream Egyptian cinema by judiciously adding formal and thematic elements from both neorealism and German expressionism.
Chahine mixes documentary and fiction to create a portrait of Egypt’s bustling capital and a major center of the Arab world. The view of Cairo that emerges is a chaotic jumble of poverty, overcrowding, opulence and surging religious intolerance that results in a kaleidoscopic image recalling silent-era “city symphonies” and Fellini’s Roma.