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Capone Cries a Lot
(Kaiemon/Kapone oi ni naku)

Screening on Film
Directed by Seijun Suzuki.
With Kenichi Hagiwara, Yuko Tanaka, Kenji Sawada.
Japan, 1985, 35mm, color, 130 min.
Japanese with English subtitles.
Print source: Japan Foundation

In this surreal comic confection, a traditional naniwa-bushi singer moves to Prohibition-era San Francisco. He goes in search of Al Capone, whom he mistakenly believes is president, hoping to impress the gangster with his singing and popularize the art form in the States. Filmed mostly in an abandoned amusement park in Japan, Suzuki’s vision of 1920s America is an anarchic collage of pop culture images, from cowboys to Charlie Chaplin. One reason Capone is so rarely seen is that it reflects the racial attitudes of the time in which it is set by including, for example, a minstrel band in blackface. Such discomfiting images are balanced by scenes featuring an actual African American jazz ensemble that joins the film’s hero in jam sessions mixing blues, jazz, and naniwa-bushi.

Part of film series

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Time and Place are Nonsense!
The Cinema According to Seijun Suzuki

Current and upcoming film series

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Chronicles of Changing Times. The Cinema of Edward Yang