alr

Cronaca nera

Screening on Film
Directed by Giorgio Bianchi.
With María Denis, Gino Cervi, Andrea Checchi.
Italy, 1947, 35mm, black & white, 90 min.
Italian with English subtitles.

While critics have long discussed the influence of Italian neorealism on postwar Hollywood and early noir, Cronaca nera shows neorealist cinema itself, in the wake of Ossessione (1943), exemplifying the fatalism associated with noir. Its title drawn from the name of the crime pages in Italian newspapers, the film follows a gangster on the run who takes refuge with an honest family. He falls in love while trying to go straight, but his past cannot be set aside so easily. If the director, Giorgio Bianchi, is little known today, among the film’s screenwriters are Sergio Amidei and Cesare Zavattini, who between them worked on most of the postwar masterpieces by Rossellini and de Sica.

Part of film series

Read more

Titanus,
Portrait of a Studio

Current and upcoming film series

Read more

Melville et Cie.

Read more

Psychedelic Cinema

Read more

Fragments of a Faith Forgotten: The Art of Harry Smith

Read more

António Campos and the Promise of Cinema Novo

Read more
sepia photo of Artie Freedman in silhouette with a video camera at show

Boston Punk Rewound / Unbound. The Arthur Freedman Collection

Read more

The Yugoslav Junction: Film and Internationalism in the SFRY, 1957 – 1988

Read more

From the Jenni Olson Queer Film Collection

Read more
a mausoleum that looks like a miniature Spanish cathedral, next to a variety of others, against an evening sky

The Night Watchman by Natalia Almada

Read more
a double-exposed image that includes a 16th century Russian man being fed grapes by another amid decadent decor

Wings of a Serf