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Curtis Harrington Shorts Program

Screening on Film

Tonight's screening is courtesy of the estate of Curtis Harrington. These films have been preserved by and come from the collection of the Academy Film Archive.

PROGRAM

  • A Fragment of Seeking

    Directed by Curtis Harrington.
    US, 1946, 16mm, black & white, 14 min.
    Print source: Academy Film Archive

Made while Harrington was a student at the University of Southern California, where the film was also shot, Fragment features a youthful Harrington in a revealing double role. "A climactic fragment from the existence of an adolescent Narcissus," wrote Harrington to describe his breakthrough film which so impressed maverick director Albert Lewin that he recommended Harrington for his first creative job in the studio system, as an assistant to producer Jerry Wald.

  • Picnic

    Directed by Curtis Harrington.
    US, 1948, 16mm, black & white, 23 min.
    Print source: Academy Film Archive

One of Harrington's most fragile and beautiful shorts, Picnic was much admired by Jacques Rivette, who praised the film's "poetic expression." Harrington's described the film thus: "a satirical comment on middle class life frames a dream-like continuity in which the protagonist pursues an illusory object of desire."

  • On the Edge

    Directed by Curtis Harrington.
    US, 1949, 16mm, black & white, 6 min.
    Print source: Academy Film Archive

A beautiful and frightening allegory of human frailty. Harrington cast his mother and father in the lead roles of his poetic short.

  • The Wormwood Star

    Directed by Curtis Harrington.
    US, 1956, 16mm, black & white, 10 min.
    Print source: Academy Film Archive

A fascinating portrait of legendary West Coast painter and occultist Cameron - a devotee of Alistair Crowley and wife and muse to Jet Propulsion Laboratory founder Jack Parsons. The Wormwood Star is among Harrington's most visually arresting works.

  • The Assignation

    Directed by Curtis Harrington.
    US, 1952, 16mm, black & white, 8 min.
    Print source: Academy Film Archive

Long considered lost, Harrington's recently restored first color film follows a mysterious masked figure through the canals of Venice and builds to a splendid climax.

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