Guerín travels to the Irish town of Innisfree, where his beloved John Ford shot The Quiet Man, to explore the still echoing changes since Ford's visit years before. Revisiting the past using re-enactments with an imagined Maureen O'Hara, Innisfree explores the difference between then and now in order to chart the interstices between memory and history, between imagination, fantasy and reality, and between classical narrative cinema and contemporary, observational documentary.