The second film of Antonioni’s celebrated trilogy (initiated by L’avventura and concluding with L’eclisse) is a key work of modernist cinema. Exploring the alienation of the Milanese bourgeoisie within the landscape of the city and the lavish villas of its periphery, La notte follows a couple—an exhausted novelist coasting on his reputation (Mastroianni) and his disenchanted wife (Moreau)—from an afternoon visit to a dying friend in a hospital, through a book-launching party at the home of an industrialist, to the couple’s separate nocturnal forays.