Le sabotier du Val de Loire is the documentary portrait of an aging cobbler and his wife.

Demy’s first adaptation of Cocteau is a short play about a woman driven to desperation by the nonchalance of her lover.

Ars is the most direct expression of Demy’s fascination with the mysteries of faith (and therefore with the films of Robert Bresson) in the form of a biographical sketch of 19th-century priest Jean Vianney.

Lust is Demy’s contribution to the French omnibus film The Seven Deadly Sins; despite the episode’s suggestive title, Demy approaches his subject playfully, imagining a conversation between two fictional artists about a childhood confusion between luxure (French for the sin of lust) and luxe (luxury).