alr

Lights of Night

Directed by Shohei Imamura

My Second Brother

Directed by Shohei Imamura
Screening on Film
  • Lights of Night (Nishi Ginza eki-mae)

    Directed by Shohei Imamura.
    With Frank Nagai, Masahiko Shimazu, Hisano Yamaoka.
    Japan, 1958, 35mm, black & white, 52 min.
    Print source: Japan Foundation

For his second film, Imamura was assigned by the studio Nikkatsu to direct this vehicle for singer-comedian Frank Nagai. The result is a comedy about a hen-pecked drugstore owner who spends his days reminiscing about a wartime romance in the tropics. Even in this studio exercise, Imamura uses the feminine and the pre-modern as markers of a soulfulness lacking in contemporary Japan.

  • My Second Brother (Nianchan)

    Directed by Shohei Imamura.
    With Hiroyuki Nagato, Kayo Matsuo, Takeshi Okimura.
    Japan, 1959, 35mm, black & white, 101 min.
    Japanese with English subtitles.
    Print source: Japan Foundation

This studio assignment finds Imamura venturing into the kind of realism he would later use as a launching pad for his own obsessions. The film is based on a true story, adapted from the diary by a real little girl of Korean descent, one of four siblings in a working-class family. When their father dies, the children are left to fend for themselves. While not a typical Imamura film, My Second Brother looks forward to the filmmaker's future investment in the vitality of the impoverished social outcasts.

Part of film series

Read more

Vanishing Points: The Films of Shohei Imamura

Current and upcoming film series

Read more

The Reincarnations of Delphine Seyrig

Read more

Rosine Mbakam, 2025 McMillan-Stewart Fellow

Read more

The Illusory Tableaux of Georges Méliès

Read more

Activism and Post-Activism. Korean Documentary Cinema, 1981-2022

Read more

Fables of the Reconstruction. Nelson Carlo de Los Santos Arias

Read more

Ben Rivers, Back to the Land

Read more

Harvard Undergraduate Cinematheque

Read more

Make Way for Tomorrow. Carson Lund’s Eephus

Read more

Jessica Sarah Rinland’s Collective Monologue