alr

Young Törless
(Der junge Törless)

Screening on Film
Directed by Volker Schlöndorff.
With Matthieu Carrière, Bernd Tischer, Marian Seidowski.
West Germany/France, 1966, 16mm, black & white, 87 min.
German with English subtitles.

Schlöndorff’s debut feature turned against the fatal constellations of the Adenauer era: its impersonal and mindless film productions, its evasions of political problems, and its vacations from history. Reverting to the distant past of Robert Musil’s famous novella of 1906, it offered a less obvious contribution to the definitive postwar German project of “coming to terms with the past” through its penetrating study of young cadets in an Austrian military academy—a preview of coming fascist attractions. Young Törless is considered a seminal work that announced a new German cinema of international stature.

 

PRECEDED BY

  • Machorka-Muff

    Directed by Jean-Marie Straub and Danièle Huillet.
    With Erich Kuby, Renate Lang.
    West Germany, 1962, 16mm, black & white, 18 min.
    German with English subtitles.

Straub-Huillet’s adaptation of Heinrich Böll’s biting satire Bonn Diary presents the reflections of a reactivated officer who is summoned to the West German capital by the Ministry of Defense to establish an Academy for Military Memories. Straub considered his film to be an intervention against German rearmament in the Adenauer era: “Machorka-Muff is the story of a rape, the rape of a country on which an army has been imposed, a country which would have been happier without one.”

Part of film series

Read more

The New German Cinema and Beyond

Current and upcoming film series

Read more

Psychedelic Cinema

Read more

Fragments of a Faith Forgotten: The Art of Harry Smith

Read more

António Campos and the Promise of Cinema Novo

Read more
sepia photo of Artie Freedman in silhouette with a video camera at show

Boston Punk Rewound / Unbound. The Arthur Freedman Collection

Read more

The Yugoslav Junction: Film and Internationalism in the SFRY, 1957 – 1988

Read more

From the Jenni Olson Queer Film Collection

Read more
a mausoleum that looks like a miniature Spanish cathedral, next to a variety of others, against an evening sky

The Night Watchman by Natalia Almada

Read more
a double-exposed image that includes a 16th century Russian man being fed grapes by another amid decadent decor

Wings of a Serf

Read more
a close-up of a Bissau-Guinean woman wearing a scarf on her head and looking directly at the camera with a slight smile

Le Dépays + Sans soleil