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Sicilia! / 6 Bagatellas / Where Does Your Hidden Smile Lie?

Screening on Film
  • Sicilia!

    Directed by Jean-Marie Straub and Danièle Huillet.
    With Gianni Buscarino, Angela Nugara..
    France, 1999, 35mm, black & white, 66 min.
    Italian with English subtitles.

In their adaptation of Elio Vittorini's Conversazione in Sicilia, a politically charged novel banned by the Fascists in 1942, Jean-Marie Straub and the late Danièle Huillet focus on a series of dialogues between Vittorini's protagonist, an intellectual returning to his native Sicily after an extended absence, and the strangers, fellow train passengers, and former friends and family members he encounters.

  • 6 Bagatellas

    Directed by Pedro Costa.
    Portugal, 2001, digital video, color, 18 min.
    French with English subtitles.
    Copy source: Filmmaker

A collection of six unused scenes from Where Does Your Hidden Smile Lie?, this short  is highlighted by the charming sight of the Straub-Huillets performing mundane tasks at home.

  • Where Does Your Hidden Smile Lie?

    Directed by Pedro Costa.
    France/Portugal, 2001, 35mm, color, 109 min.
    French with English subtitles.
    Print source: Filmmaker

This film portrait presents an extraordinary look into the creative process of filmmaking through a case study of longtime collaborators Jean-Marie Straub and Danièle Huillet, who are carefully observed at work reediting their recent feature Sicilia! as they teach a group of students at the National Studio of Contemporary Arts in Tourcoing. Costa meticulously records the dialectic, argumentative mode the filmmakers use to reach decisions about each cut. In a remarkable sequence, the two filmmakers have a standoff in virtual darkness (Huillet having switched off the Moviola that provides much of the illumination for Costa’s shooting). Equally compelling is the documentation of Straub’s close commentary on techniques from such diverse influences as Chaplin and Eisenstein. This remarkable documentary, an episode from the landmark series “Cinema of our Time,” is a brilliant examination of the art of editing and a meditation on the aesthetic and political implications of film technique.

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