Among the strongest of the late 1930s screenplays that paved the way to Clouzot's directorial career is this striking adaptation of a George Simenon crime thriller directed by Henri Decoin. An important companion piece to Le Corbeau, Les Inconnus dans la Maison offers a similarly unflattering portrait of provincial France as scandals and secrets tumble out of a town's collective closet during the course of the investigation and trial to discover who killed the corpse found in a drunken lawyer's attic.

Clouzot’s first film after Le Corbeau – and after his forced suspension on charges of collaboration with the Vichy regime – was this dark and startling episode within the 1949 omnibus film Retour à la Vie. A remarkable commentary on a deeper type of postwar trauma and spiritual malaise, Le Retour de Jean stars the great Louis Jouvet as a former prisoner of war who meets his Nazi torturer one lonely night in a seedy boarding house, an unsettling surprise encounter that complicates the notion of a return to normalcy.