Originally neglected because of its release at the end of the silent era, The General Line was Eisenstein's only completed film to deal with a contemporary subject. Focusing on a peasant woman and her attempts to fight greed and superstition, the film depicts the mechanization and collectivization of a farm. Using his signature montages of brief, graphically insistent images, Eisenstein creates visual drama from economic policy in sequences as unlikely but compelling as the introduction of the cream separators and the "dance" of the tractors.