Carax capped his “Alex trilogy” with this dizzyingly romanticized valentine to l’amour fou, once again casting Juliette Binoche and Denis Lavant as the title characters, a homeless couple who set up a love nest on the bridge over the Seine. The young filmmaker received permission to film on Paris’ famous Pont-Neuf, but when that proved unfeasible, he built a replica in southern France. This combination of realism and artifice spills over to the film itself, which includes a semi-documentary sequence shot in a homeless shelter. The relationship between the lovers is by turns touching and unsettling, with Carax juxtaposing the beautiful with the sinister so as to heighten both – reminiscent of Claire Denis. This alchemy of beauty and ugliness is a key to unlocking Carax’s approach to filmmaking; it amounts more or less to a particularly cinematic worldview, one that comes to the fore in his subsequent work.