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Film in the Third Reich:
The Power of Images and Illusions

Adolf Hitler and his Minister of Propaganda, Joseph Goebbels, were keenly aware of cinema’s ability to mobilize emotions and to immobilize minds. The Nazi leadership also knew well that profound and lasting political effects could not derive from political expressions alone. As the films in this series bear out, standardized mass culture would become the Nazis’ secret formula for successful mass manipulation. Mass culture also served as a crucial precondition for mass murder. The Third Reich’s production of death and devastation would not have been possible without Nazi dream machinery.

Current and upcoming film series

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Psychedelic Cinema

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Fragments of a Faith Forgotten: The Art of Harry Smith

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António Campos and the Promise of Cinema Novo

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sepia photo of Artie Freedman in silhouette with a video camera at show

Boston Punk Rewound / Unbound. The Arthur Freedman Collection

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The Yugoslav Junction: Film and Internationalism in the SFRY, 1957 – 1988

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From the Jenni Olson Queer Film Collection

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a mausoleum that looks like a miniature Spanish cathedral, next to a variety of others, against an evening sky

The Night Watchman by Natalia Almada

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a double-exposed image that includes a 16th century Russian man being fed grapes by another amid decadent decor

Wings of a Serf

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a close-up of a Bissau-Guinean woman wearing a scarf on her head and looking directly at the camera with a slight smile

Le Dépays + Sans soleil