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Muff Dives: The Dyke Bar in Cinema

This series—an abbreviated version of a retrospective that first ran at Metrograph in New York City—is devoted to films that immerse viewers, if only for a scene or two, in social spaces that are now perilously close to extinction: nightspots catering to queer women. Some of these movies were shot, however briefly, in situ in actual legendary lez bars (all of which are now shuttered); others in wholly fabricated lavender boîtes. Whether real or fictional, these clubs abound with promise, unpredictability, lust and heartache—the inevitable result of bodies mingling, dancing, flirting and more in close quarters. – Melissa Anderson

Current and upcoming film series

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Fragments of a Faith Forgotten: The Art of Harry Smith

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sepia photo of Artie Freedman in silhouette with a video camera at show

Boston Punk Rewound / Unbound. The Arthur Freedman Collection

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The Yugoslav Junction: Film and Internationalism in the SFRY, 1957 – 1988

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From the Jenni Olson Queer Film Collection

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a mausoleum that looks like a miniature Spanish cathedral, next to a variety of others, against an evening sky

The Night Watchman by Natalia Almada

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a double-exposed image that includes a 16th century Russian man being fed grapes by another amid decadent decor

Wings of a Serf

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a close-up of a Bissau-Guinean woman wearing a scarf on her head and looking directly at the camera with a slight smile

Le Dépays + Sans soleil

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Peter Sellers wearing a large hat with "ME" embroidered on it, and gripping a Pilgrim-like collar

Carol for Another Christmas

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Satyajit Ray’s Apu Trilogy