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Films in the Third Reich: The Power of Images and Illusions Screenings

Adolf Hitler and his Minister of Propaganda, Joseph Goebbels, were keenly aware of cinema’s ability to mobilize emotions and to immobilize minds. The Nazi leadership also knew well that profound and lasting political effects could not derive from political expressions alone. As the films in this continuing series bear out, standardized mass culture would become the Nazis’ secret formula for successful mass manipulation. Mass culture also served as a crucial precondition for mass m urder. The Third Reich’s production of death and devastation would not have been possible without the Nazi dream machinery.

Current and upcoming film series

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The Complete Stanley Kubrick

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Community in Cinema

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Crime Scenes as History. Five Korean Films

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Sixties Shinoda

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From the Collection – Bob Hoskins

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The Dutchman by André Gaines

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Tarr / Krasznahorkai

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Little Fugitive

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The Spring is Over (Prague 1970)