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After Marker

Chris Marker's work persistently staged encounters across disciplinary, historical, geographical, and political divides, whether in his passionate recovery of forgotten legacies, his gestures of cinematic friendship, his challenge to the divisions of cultural competence and access, or his meditations on memory, travel, and dispossession in a global setting. No longer able to call Marker our contemporary, this panel asks what potential his work may have for our present and future conceptions of artistic practice, the possibilities of film, and historical memory.

Part of film series

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Chris Marker:
Guillaume-en-Égypte

Current and upcoming film series

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The Cold Heart is More Precious than Diamonds. The Cinema of Graham Greene

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João César Monteiro, Poet-Provocateur

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Marathon '77 All-Night Movie Marathon

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Marie Antoinette and Friends, Three Films by Sofia Coppola

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Nostalgia, A Harvard Undergraduate Cinematheque Program

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The Adventures of Lotte Reiniger

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The Human Condition

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Great Expectations: British Postwar Cinema, 1945 – 1960

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Visions of a City, Or A Weekend in San Francisco