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After Marker

Chris Marker's work persistently staged encounters across disciplinary, historical, geographical, and political divides, whether in his passionate recovery of forgotten legacies, his gestures of cinematic friendship, his challenge to the divisions of cultural competence and access, or his meditations on memory, travel, and dispossession in a global setting. No longer able to call Marker our contemporary, this panel asks what potential his work may have for our present and future conceptions of artistic practice, the possibilities of film, and historical memory.

Part of film series

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Chris Marker:
Guillaume-en-Égypte

Current and upcoming film series

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The Reincarnations of Delphine Seyrig

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Rosine Mbakam, 2025 McMillan-Stewart Fellow

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The Illusory Tableaux of Georges Méliès

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Activism and Post-Activism. Korean Documentary Cinema, 1981-2022

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Fables of the Reconstruction. Nelson Carlo de Los Santos Arias

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Ben Rivers, Back to the Land

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Harvard Undergraduate Cinematheque

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Make Way for Tomorrow. Carson Lund’s Eephus

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Jessica Sarah Rinland’s Collective Monologue