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After Marker

Chris Marker's work persistently staged encounters across disciplinary, historical, geographical, and political divides, whether in his passionate recovery of forgotten legacies, his gestures of cinematic friendship, his challenge to the divisions of cultural competence and access, or his meditations on memory, travel, and dispossession in a global setting. No longer able to call Marker our contemporary, this panel asks what potential his work may have for our present and future conceptions of artistic practice, the possibilities of film, and historical memory.

Part of film series

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Chris Marker:
Guillaume-en-Égypte

Current and upcoming film series

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Música de Câmara. The Cinema of Rita Azevedo Gomes

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From the Harvard Film Archive Collection …

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Chile Año Cero / Chile Year Zero

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People and their Virtue. Two Films by Wang Bing

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Trenque Lauquen by Laura Citarella

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I Heard It Through the Grapevine with James Baldwin

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Filmmaker, Guest Worker: Zelimir Zilnik’s Expatriates

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Adachi Masao’s Revolution+1

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Out of the Ashes – The US-ROK Security Alliance & the Emergence of South Korean Cinema