alr

Alice in Wonderland

Screening on Film
Directed by Clyde Geronimi, Wilfred Jackson, Hamilton Luske.
With Kathryn Beaumont, Ed Wynn, Richard Haydn.
US, 1951, 35mm, color, 75 min.
Print source: HFA

Now celebrated as a proto-psychedelic classic, Disney’s visually dazzling version of Alice in Wonderland was poorly received in its first release when it met criticism for not remaining sufficiently faithful to the Lewis Carroll original. Stung by the film’s box-office failure, Walt Disney reportedly vowed the film would not be theatrically released again in his lifetime. Following the countercultural success of Fantasia when it was rediscovered as a “head movie” by youth audiences in the late Sixties, Alice in Wonderland subsequently found a new life when it was rereleased in the early Seventies and became a runaway hit on college campuses, where its oneiric tale of magic mushrooms and rabbit holes had taken on obvious new resonance. – Haden Guest

PRECEDED BY

  • Peyote Queen

    Directed by Storm De Hirsch.
    US, 1965, 16mm, color, 9 min.
    Print source: Anthology Film Archives

American poet and filmmaker Storm de Hirsh (1912-2000) was an influential figure within the vibrant avant-garde movement that transformed art- and filmmaking in the Sixties. Peyote Queen is a classic example of her experimental animation and bold technique of scratching lines and forms directly into the film emulsion. Set to a mixed soundtrack of different percussive music, Peyote Queen pulls the viewer into a trance animated by playfully sexualized figures and hypnotic mandalas. – Haden Guest


Preserved by Anthology Film Archives with support from The Andy Warhol Foundation for the Visual Arts.

Image courtesy Anthology Film Archives

Part of film series

Read more

Psychedelic Cinema

Current and upcoming film series

Read more

Melville et Cie.

Read more

Hamaguchi Ryusuke, The World as Stage

Read more

Fragments of a Faith Forgotten: The Art of Harry Smith

Read more

The Shochiku Centennial Collection

Read more

António Campos and the Promise of Cinema Novo

Read more

Boston Punk Rewound / Unbound. The Arthur Freedman Collection

Read more

The Yugoslav Junction: Film and Internationalism in the SFRY, 1957 – 1988

Read more

From the Jenni Olson Queer Film Collection

Read more

The Night Watchman by Natalia Almada