alr

Days of Heaven

Screening on Film
Directed by Terrence Malick.
With Richard Gere, Brooke Adams, Sam Shepard.
US, 1978, 35mm, color, 94 min.
Print source: Paramount Pictures

Terrence Malick’s second film is set in the Texas Panhandle in 1916, with a plot out of the operas and stage melodramas of that era:  lovers on the run pose as brother and sister to find work on a farm, only to have the ailing farmer fall in love with the young woman. Malick’s casting and laconic dialogue make earthy poetry out of this situation, which like so many of Malick’s plots is presented as a fall from Eden. With World War I just over the horizon, the loss of innocence detailed by the screenplay is juxtaposed with pristine landscapes beginning to be despoiled by early modern technology. It is the beauty of the film’s imagery that ultimately makes this trope convincing. As was his wont, cinematographer Nestor Almendros shot almost exclusively with natural light, as did Haskell Wexler who succeeded him. In shot after ravishing shot, these two bring Malick’s imagination to lucid life. 

Part of film series

Read more

100 Years of Paramount Pictures

Other film series with this film

Read more

Treasures from the Harvard Film Archive: A–D

Read more

Brooke Adams, Radiance in Plain Sight

Current and upcoming film series

Read more

Psychedelic Cinema

Read more

Fragments of a Faith Forgotten: The Art of Harry Smith

Read more

António Campos and the Promise of Cinema Novo

Read more
sepia photo of Artie Freedman in silhouette with a video camera at show

Boston Punk Rewound / Unbound. The Arthur Freedman Collection

Read more

The Yugoslav Junction: Film and Internationalism in the SFRY, 1957 – 1988

Read more

From the Jenni Olson Queer Film Collection

Read more
a mausoleum that looks like a miniature Spanish cathedral, next to a variety of others, against an evening sky

The Night Watchman by Natalia Almada

Read more
a double-exposed image that includes a 16th century Russian man being fed grapes by another amid decadent decor

Wings of a Serf

Read more
a close-up of a Bissau-Guinean woman wearing a scarf on her head and looking directly at the camera with a slight smile

Le Dépays + Sans soleil