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Father, Son and Holy War
(Pitra, Putra aur Dharmayuddha)

Screening on Film
Directed by Anand Patwardhan.
India, 1994, 16mm, color, 120 min.
English, Rajastani, and Gujarati with English subtitles.

In India, as in many regions, religious and ethnic zealotry has emerged as a significant force in contemporary society. Father, Son and Holy War explores this phenomenon in two parts, positing that the psychology of violence against “the other” may be a symptom of male insecurity. Part 1 investigates controversies surrounding fire that have consumed India in recent years: feminist protests at the death of a young bride who was thrown on her husband’s funeral pyre in the traditional rite of “sati”; communal fires that ravaged Bombay after the demolition of the mosque in Ayodhya; purification fire rituals practiced by the upper castes. Part 2 examines concepts of masculinity in the context of religious strife. Raised on centuries-old stories of Muslim atrocities and calls for their continued revenge, some Hindu men reject nonviolence as a form of impotence and seek, as do some of their Muslim counterparts, to confirm their manhood through extreme acts of violence.

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