The third installment of Rossellini’s war trilogy (following Rome, Open City and Paisan) was, according to its director, “an attempt to discover the real reasons which had driven the Germans to act as they had done.” Using nonprofessional actors and a neorealist style, the film is cast in the likeness of its young protagonist, Edmund, and the devastated city in which he lives. Rossellini conceived the film around the final scenes of Edmund wandering in the ruins of Berlin. This long final sequence marks the end of a narrative trajectory that begins as documentary reportage but becomes ever more hallucinatory, charting a journey through a strange and devastated landscape.