alr

Greed

Live Piano Accompaniment by Martin Marks
Screening on Film
Directed by Erich von Stroheim.
With Gibson Gowland, ZaSu Pitts, Jean Hersholt.
US, 1925, 35mm, black & white, silent, 140 min.
Print source: Warner Bros.

That von Stroheim's most famous film exists as a mere sliver of its original length of over eight hours perversely befits a director whose own characters are often victims of cruel, ironic twists of fate. Despite his infamously meticulous perfectionism, his penchant for shooting over schedule and budget, and testing the censors with transgressive content, fate somehow allowed von Stroheim to direct a Hollywood feature depicting squalor, vice and grim realism with no stars, no glamour and an epic length. Shooting on-location in urban slums, von Stroheim's passion for authenticity and exposing the seamy side of life found an ideal outlet in the adaptation of Frank Norris' naturalistic novel McTeague. Complex characterizations within an elaborately realized atmosphere relate the tale of a slow-witted, sensitive hulk of a man whose nervous fiancée wins the lottery, thus triggering a series of repressed resentments and dark, uncontrollable drives that lead to betrayal, murder and a searingly nihilistic ending. All of the subplots and secondary characters were excised with MGM's relentless scissors, yet his urgent vision – a harrowing amalgam of the magical and the real – still shatters the silent screen. Just as his characters could not escape their inherited destinies, the willful von Stroheim tempted fate with a radical labor of love and paid for it dearly.

Part of film series

Read more

Cruel and Unusual: The Exquisite Remains of Erich von Stroheim

Current and upcoming film series

Read more

Psychedelic Cinema

Read more

Fragments of a Faith Forgotten: The Art of Harry Smith

Read more

António Campos and the Promise of Cinema Novo

Read more
sepia photo of Artie Freedman in silhouette with a video camera at show

Boston Punk Rewound / Unbound. The Arthur Freedman Collection

Read more

The Yugoslav Junction: Film and Internationalism in the SFRY, 1957 – 1988

Read more

From the Jenni Olson Queer Film Collection

Read more
a mausoleum that looks like a miniature Spanish cathedral, next to a variety of others, against an evening sky

The Night Watchman by Natalia Almada

Read more
a double-exposed image that includes a 16th century Russian man being fed grapes by another amid decadent decor

Wings of a Serf

Read more
a close-up of a Bissau-Guinean woman wearing a scarf on her head and looking directly at the camera with a slight smile

Le Dépays + Sans soleil