A perennial favorite of Japanese cinema, Mother is also a somewhat uncharacteristic work for Mikio Naruse, one of the few humorous films in an oeuvre better known for dark melodrama. Tanaka stars as a recent widow with three children struggling to manage her husband’s dry-cleaning business. While seemingly told from the point of view of her eldest daughter, Mother ultimately centers upon Tanaka in an unabashedly sentimental hymn to maternal self-sacrifice and dedication. Nevertheless, a certain edge becomes evident as Tanaka’s self-deprecation takes on an unsettling, obsessive quality.