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Oskar Fischinger: A Centennial Celebration
Part Three: The Legacy

Screening on Film

Fischinger’s legacy is revealed in this final installment of the retrospective through the work of the generations of filmmakers who were inspired by his art. The survey will include Norman McLaren’s Synchromy (1971), Jordan Belson’s Allures (1961), Harry Smith’s Film No. 5 (1950), John Whitney’s Hothouse (1952), James Whitney’s Lapis (1963–66), and Mary Ellen Bute’s Polkagraph (1952), as well as the work of younger, contemporary artists such as Barbel Neubauer and Paul Glabicki, who still find inspiration in Fischinger’s work more than fifty years after the completion of his last film.

Part of film series

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Oskar Fischinger: A Centennial Celebration

Current and upcoming film series

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The Reincarnations of Delphine Seyrig

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Ben Rivers, Back to the Land

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Harvard Undergraduate Cinematheque

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Make Way for Tomorrow. Carson Lund’s Eephus

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Jessica Sarah Rinland’s Collective Monologue

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David Lynch, New Dimensions

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Museum Hours: Mati Diop’s Dahomey

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Albert Serra, or Cinematic Time Regained

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Wang Bing’s Youth Trilogy