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Program 1: Divided Worlds

Introduction by Scott MacDonald
Screening on Film
  • A Divided World

    Directed by Arne Sucksdorff.
    Sweden, 1948, 35mm, black & white, 10 min.

A remarkable nature film by Swedish director Arne Sucksdorff.

  • Blood of the Beasts (Le Sang des bêtes)

    Directed by Georges Franju.
    France, 1949, 16mm, black & white, 22 min.

One of Cinema 16’s most controversial presentations.

  • Fireworks

    Directed by Kenneth Anger.
    US, 1947, digital video, color, 15 min.

Also quite controversial, Anger’s psychodrama is probably the first openly gay film exhibited publicly in the USA.


35mm blow-up restoration by UCLA, preserved through the Avant-Garde Masters program, funded by The Film Foundation and administered by the National Film Preservation Foundation.

  • In the Street

    Directed by James Agee, Helen Levitt, Janice Loeb.
    US, 1952, 16mm, black & white, silent, 16 min.
    Print source: Museum of Modern Art

New York City kids at play on the street, through a hidden camera.

  • Living in a Reversed World

    Directed by Dr. Pacher.
    US, 1954, 16mm, black & white, 12 min.
    Print source: Pennsylvania State University

A science film that, we think, was meant to be taken seriously.

  • Weegee’s New York

    Directed by Weegee and Amos Vogel.
    US ca., 1952, 16mm, color, 20 min.

A classic American City Symphony, focusing on Coney Island circa 1950 when a million people would crowd its beaches on a Sunday.

  • Cosmic Ray

    Directed by Bruce Conner.
    US, 1962, 16mm, black & white, 4 min.

A classic, early found-footage film, and, for better or worse, one of the instigators of MTV.

Part of film series

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The Essence of Cinema 16

Current and upcoming film series

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The Cold Heart is More Precious than Diamonds. The Cinema of Graham Greene

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João César Monteiro, Poet-Provocateur

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Marie Antoinette and Friends, Three Films by Sofia Coppola

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Nostalgia, A Harvard Undergraduate Cinematheque Program

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The Adventures of Lotte Reiniger

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The Human Condition

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Great Expectations: British Postwar Cinema, 1945 – 1960

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Visions of a City, Or A Weekend in San Francisco

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Once There Was History ... Andrzej Wajda at 100