In the late 1960s, a new generation of radical filmmakers began to make provocative work that reflected the preoccupations of the counterculture. Artists like Chilean-born Alejandro Jodorowsky, his collaborator and cinematographer Rafael Corkidi, and painter/poet Gelsen Gas made films that fused the occult, the Panic movement (a theatrical phenomenon of Jodorowsky’s creation, chiefly inspired by Antonin Artaud), erotics, and a fascination with indigenous rituals. The highlight of this program, Anti-Climax, is a feature-length experimental film comprised of a series of countercultural vignettes that examine the conflicting values of divergent generations and challenge societal attitudes towards sexuality and the Americanization of youth culture.