alr

Short Films - Program Two

  • Brown and Clear

    Directed by Kevin Jerome Everson.
    US, 2017, digital video, color, 7 min.
    Copy source: Picture Palace Pictures

This deceptively simple piece basks in the modest aesthetic pleasures of a neighborhood bar: the golden-hued liquor bottles and the smoky haze of poured whiskey. Shot entirely in tight, shallow-focus close-ups, the film never shows the bartender handling the liquor outside the frame’s view, but by tuning into the minutia of his labor, it nonetheless becomes a piece of portraiture.

  • Sugarcoated Arsenic

    Directed by Claudrena N. Harold and Kevin Jerome Everson.
    US, 2013, 16mm transferred to digital video, black & white, 20 min.

Co-directed and written by Everson’s UVA colleague, African-American historian Claudrena N. Harold, Sugarcoated Arsenictakes as its starting point a moving speech on civil rights performed by Vivian Gordon during her tenure as the director of University of Virginia’s Black Studies program between 1975 and 1980. Then, as in Emergency Needs, Everson juxtaposes the historical record alongside a nearly identical recreation, in this case starring actress Erin Stewart. The mock-vérité monochrome images of socializing and camaraderie taken on the university campus are some of Everson’s most resonant, and nowhere more so than in the montage of “Black Power” marches that concludes the film.

  • Rhino

    Directed by Kevin Jerome Everson.
    US, 2018, digital video, color, 23 min.
    Italian and French with English subtitles.
    Copy source: Picture Palace Pictures

Revisiting the subject of his 2012 film Rhinoceros, Everson’s latest imagines the final days of sixteenth-century Italian Duke Alessandro de’ Medici, a historical figure of particular interest to the director for being the son of an African servant woman. Working in digital on location in Italy, Everson stages crudely theatrical episodes featuring actors performing as historical figures within modern settings, then intercuts these unorthodox dramatizations with documentary footage of African migrants in the region. The stark juxtaposition, which recalls the work of Jean-Marie Straub and Danièle Huillet, connects ancient history and today’s Europe in a shared plague of intolerance—a sobering outlook at a time when blinkered reactions to refugee crises around the globe run rampant.

  • North

    Directed by Kevin Jerome Everson.
    US, 2007, digital video, color, 2 min.

A single unremarkable scenario—a man attempts to unfold a map while battling against gusts of wintry wind—becomes a microcosm for a number of recurring Everson preoccupations, chiefly the widespread migration of Blacks from the South to the Midwest following WWII.

  • The Reverend E. Randall T. Osborn, First Cousin

    Directed by Kevin Jerome Everson.
    US, 2007, 16mm transferred to digital video, black & white, 4 min.
    Copy source: Picture Palace Pictures

Martin Luther King Jr.’s first cousin speaks in an archival clip about race riots in Cleveland in the late sixties, but Everson re-edits the footage to amplify the presence of the black reporter questioning him, multiplying one sympathetic reaction shot to emphasize the procedure involved in moderating the interview.

  • Sound That

    Directed by Kevin Jerome Everson.
    US, 2014, 16mm transferred to digital video, color, 12 min.
    Copy source: Picture Palace Pictures

Everson’s fascination with manual labor institutions in Ohio and his ability to find poetry in the mundane is on full display in this immersive procedural tracking the Cleveland Water Department’s efforts to locate leaks in underground infrastructure.

Part of film series

Read more

Kevin Jerome Everson - Cinema and the Practice of Everyday Life

Current and upcoming film series

Read more

The Reincarnations of Delphine Seyrig

Read more

Ben Rivers, Back to the Land

Read more

Harvard Undergraduate Cinematheque

Read more

Make Way for Tomorrow. Carson Lund’s Eephus

Read more

Jessica Sarah Rinland’s Collective Monologue

Read more

David Lynch, New Dimensions

Read more

Museum Hours: Mati Diop’s Dahomey

Read more

Albert Serra, or Cinematic Time Regained

Read more

Wang Bing’s Youth Trilogy