Scenes from the Life of a Happy Man... The Films of Jonas Mekas
Short Portrait Films
A program of short portrait films illustrating the human throughline of Mekas’ career—his interest and investment in people and their return of the favor. Andy Warhol shot Jonas for a screen test, and Jonas cobbled together footage of Andy taken from 1965 to 1982, concluding with Mass being read at his funeral in St. Patrick’s Cathedral. Happy Birthday to John captures an exhibition of John Lennon and Yoko Ono’s work at the Syracuse Museum of Art; a subsequent birthday celebration, including a jam session with John, Yoko and Ringo; and other fascinating ephemera from Mekas’ files. The organizer of the John/Yoko exhibition was Lithuanian-American artist George Maciunas, author of the proto-punky, officially art-destabilizing Fluxus Manifesto, a vital influence on Mekas, and the subject of his Zefiro Torna, a capering elegy sewn together from footage taken between 1952 and 1978 and set to the strains of Monteverdi and Mekas’ readings from Maciunas’ diaries, in which he records his aggressive struggle with pancreatic cancer. Also included is footage of his “Fluxwedding” marriage to the poet Billie Hutching three months before his death, an act of defiant affirmation.
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This Side of Paradise: Fragments of an Unfinished Biography
Directed by Jonas Mekas.
US, 1999, 16mm, color, 35 min.
Print source: Light Cone
Some time, mostly during the summers, with Jackie Kennedy’s and her sister Lee Radziwill’s families and children. Cinema was an integral, inseparable, as a matter of fact, a key part of our friendship. The time was still very close to the untimely, tragic death of John F. Kennedy. Jackie wanted to give something to her children to do, to help to ease the transition, life without a father. One of her thoughts was that a movie camera would be fun for children. Peter Beard, who was at that time tutoring John Jr. and Caroline in art history, suggested to Jackie that I was the man to introduce the children to cinema. Jackie said yes. And that’s how it all began.
The images in this film, with a few exceptions, all come from the summers Caroline and John Jr. spent in Montauk, with their cousins Anthony and Tina Radziwill, in an old house Lee had rented from Andy Warhol, for a few summers. Andy himself spent many of his weekends there, in one of the cottages, as did Peter Beard, whom the children had adopted almost like their older brother or a father they missed. These were summers of happiness, joy and continuous celebrations of life and friendships. These were days of Little Fragments of Paradise. — Jonas Mekas