In his last film, Mizoguchi once again sympathetically presents the problems of women struggling under the constraints of a patriarchal society. In Dreamland, a contemporary Tokyo brothel, prostitutes use different approaches to try to survive their difficult lives inside and outside the brothel, while the people around them debate whether or not politicians should pass anti-prostitution legislation. Though ultimately quite pessimistic, with an unforgettably tragic final shot, the film is credited in part with prompting the passing of an anti-prostitution bill in Japan.