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The Moon and the Sledgehammer

Philip Trevelyan's visit has been cancelled
Directed by Philip Trevelyan.
UK, 1971, DCP, color, 65 min.
DCP source: filmmaker

This film is a brief encounter with an unusual, complex family who retreated to the woods, working primarily as agricultural contractors and engineers. In the summer months they also provided steam and electrical power for the circus; the family’s father, Mr. Page—affectionately known as “Oily Page”—even became a stand-in performer in the ring. Influenced by the book of Revelations, the family was suspicious of society and progress. The development of modern agriculture in Britain’s postwar drive for cheaper food removed people from the land. For Mr. Page, this social tragedy and waste was exemplified by the idea of sending people to the moon, which was about to happen when the film was recorded. However, alongside the suspicion and unhappiness that grew out of the family’s retreat from society, they never let go of a simple, infectious enjoyment of life. This is captured by the grown-up children’s re-enactments of happy times or by the youngest son when he describes the sound of steam engines, climbs trees, or tells us that he has observed the moon through a homemade telescope.

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