alr

The Producers

Screening on Film
Directed by Mel Brooks.
With Zero Mostel, Gene Wilder, Kenneth Mars.
US, 1968, 35mm, color, 88 min.

The great Zero Mostel plays down-and-out Broadway producer Max Bialystock, a character of Ben Jonsonian magnitude reduced to making love to elderly widows in an effort to raise financial backing. Gene Wilder is his hyper-nervous accountant who unintentionally comes up with a dubious get-rich-quick scheme requiring a colossal flop. The two agree on the sure-fire disaster Springtime for Hitler, a kitschy musical tribute to Adolf written by a crazed, unassimilated Nazi (Kenneth Mars). Amazingly, the tasteless Busby Berkeley-meets-Leni Riefenstahl musical turns out to be a huge Broadway hit. The hilarious farce, a cult classic, earned Brooks an Oscar for best original screenplay and spawned a Broadway production starring Nathan Lane and Matthew Broderick.

Part of film series

Read more

Treasures from the Harvard Film Archive: Directors A–D

Current and upcoming film series

Read more

The Reincarnations of Delphine Seyrig

Read more

Rosine Mbakam, 2025 McMillan-Stewart Fellow

Read more

The Illusory Tableaux of Georges Méliès

Read more

Activism and Post-Activism. Korean Documentary Cinema, 1981-2022

Read more

Fables of the Reconstruction. Nelson Carlo de Los Santos Arias

Read more

Ben Rivers, Back to the Land

Read more

Harvard Undergraduate Cinematheque

Read more

Make Way for Tomorrow. Carson Lund’s Eephus

Read more

Jessica Sarah Rinland’s Collective Monologue