alr

The Wanton Countess

Screening on Film
Directed by Luchino Visconti.
With Farley Granger, Alida Valli, Massimo Girotti.
Italy, 1964, 35mm, color, 90 min.
In English.

This abridged version of Senso, featuring dialogue by Tennessee Williams, is more interesting as an artifact than as a polished work of its own. More than a studio ploy, the Williams collaboration is rooted in an older friendship and sense of mutual artistic appreciation between the playwright and the director. Visconti would adapt The Glass Menagerie (1946) and A Streetcar Named Desire (twice, in 1949 and 1951), and Williams would visit the set of La Terra Trema, penning an essay of his experience that currently resides in the Harvard Theatre Collection. As for the film itself, one of the main draws is watching Farley Granger’s performance un-dubbed in the original English. For those only familiar with Italian version, the experience is as fascinating as it is alienating.

Part of film series

Read more

Luchino Visconti, Architect of Neorealism

Current and upcoming film series

Read more

The Cold Heart is More Precious than Diamonds. The Cinema of Graham Greene

Read more

João César Monteiro, Poet-Provocateur

Read more

Marathon '77 All-Night Movie Marathon

Read more

Marie Antoinette and Friends, Three Films by Sofia Coppola

Read more

Nostalgia, A Harvard Undergraduate Cinematheque Program

Read more

The Adventures of Lotte Reiniger

Read more

The Human Condition

Read more

Great Expectations: British Postwar Cinema, 1945 – 1960

Read more

Visions of a City, Or A Weekend in San Francisco