alr

The Wanton Countess

Screening on Film
Directed by Luchino Visconti.
With Farley Granger, Alida Valli, Massimo Girotti.
Italy, 1964, 35mm, color, 90 min.
In English.

This abridged version of Senso, featuring dialogue by Tennessee Williams, is more interesting as an artifact than as a polished work of its own. More than a studio ploy, the Williams collaboration is rooted in an older friendship and sense of mutual artistic appreciation between the playwright and the director. Visconti would adapt The Glass Menagerie (1946) and A Streetcar Named Desire (twice, in 1949 and 1951), and Williams would visit the set of La Terra Trema, penning an essay of his experience that currently resides in the Harvard Theatre Collection. As for the film itself, one of the main draws is watching Farley Granger’s performance un-dubbed in the original English. For those only familiar with Italian version, the experience is as fascinating as it is alienating.

Part of film series

Read more

Luchino Visconti, Architect of Neorealism

Current and upcoming film series

Read more

Psychedelic Cinema

Read more

Fragments of a Faith Forgotten: The Art of Harry Smith

Read more
sepia photo of Artie Freedman in silhouette with a video camera at show

Boston Punk Rewound / Unbound. The Arthur Freedman Collection

Read more

The Yugoslav Junction: Film and Internationalism in the SFRY, 1957 – 1988

Read more

From the Jenni Olson Queer Film Collection

Read more
a mausoleum that looks like a miniature Spanish cathedral, next to a variety of others, against an evening sky

The Night Watchman by Natalia Almada

Read more
a double-exposed image that includes a 16th century Russian man being fed grapes by another amid decadent decor

Wings of a Serf

Read more
a close-up of a Bissau-Guinean woman wearing a scarf on her head and looking directly at the camera with a slight smile

Le Dépays + Sans soleil

Read more
Peter Sellers wearing a large hat with "ME" embroidered on it, and gripping a Pilgrim-like collar

Carol for Another Christmas