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The Films of Sergei Parajanov

One of the most colorful and revered figures in world cinema, Armenian Sergei Parajanov (1924-1990) burst upon the international film world in 1964 with Shadows of Forgotten Ancestors, one of the most dazzling movies ever made. A Romeo-and-Juliet tale set in a remote Carpathian village, it is a passionate, richly inventive work marked by breathtaking camera work and stunning color imagery. A multi-faceted artist–painter, musician, collagist, short-story writer, and filmmaker– Parajanov spent more than seven years in prison (1974–1978 and 1982–1985) on a variety of trumped up charges, ranging from homosexuality and spreading venereal diseases to fraud, black marketeering, and "incitement to suicide." After Shadows, Parajanov managed to make only three more full-length films, each astonishing in its own right and each in a completely different style.

Our retrospective is presented in conjunction with the exhibition "Works by the Master: The Art of Serguei Parajanov" (November 7–December 17) at the Armenian Library and Museum of America, 65 Main Street, Watertown, Massachusetts, which features the first display in America of fifty-six artworks on loan from the Paradjanov Museum in Yerevan.

Current and upcoming film series

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The Reincarnations of Delphine Seyrig

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Rosine Mbakam, 2025 McMillan-Stewart Fellow

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The Illusory Tableaux of Georges Méliès

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Activism and Post-Activism. Korean Documentary Cinema, 1981-2022

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Fables of the Reconstruction. Nelson Carlo de Los Santos Arias

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Ben Rivers, Back to the Land

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Harvard Undergraduate Cinematheque

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Make Way for Tomorrow. Carson Lund’s Eephus

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Jessica Sarah Rinland’s Collective Monologue