Belarmino looking down in a wash basin while a man behind him combs his hair in front of a hanging mirroralr

Belarmino

Directed by Fernando Lopes.
Portugal, 1964, DCP, black & white, 73 min.
Portuguese with English subtitles.
DCP source: Cinemateca Portuguesa - Museu do Cinema

This lasting classic of the Cinema Novo movement unfolds a complex and moving portrait of Belarmino Fragoso, a veteran boxer in the twilight of his career looking back at his years in the ring. Fernando Lopes uses his probing interviews of Belarmino and his former manager to structure the film and shed light on boxing as a labor and impossible livelihood. Intertwined throughout Belarmino’s frank and remarkably introspective commentary are vividly reenacted scenes of the boxer’s past and documentary scenes of him and his wife engaged in their daily routines and rituals. Animated by the lustrous black-and-white cinematography of Augusto Cabrita, Belarmino is a strikingly modernist work that paved the way for the fictionalized documentary that is commonplace today.

PRECEDED BY

  • The Tuna Trap (A Almadraba Atuneira)

    Directed by António Campos.
    Portugal, 1961, DCP, black & white, 26 min.
    Portuguese with English subtitles.
    DCP source: Cinemateca Portuguesa - Museu do Cinema

Among Campos’ most iconic films is his epic verité record of the almadraba, an ancient tuna fishing technique invented by the Phoenicians and kept alive in Portugal, including on the Algarve island of Abóbora where Campos made this film just before the fishing village was destroyed by a massive storm. In 1974 Campos made a new version by poetically and provocatively adding a musical soundtrack comprised of excerpts from Stravinsky’s The Rite of Spring.


Digitization by Cinemateca Portuguesa - Museu do Cinema, under the frame of the FILMar project, part of the European Financial Mechanism EEA Grants 2020-2024.

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