a 1960s drag queen raising her arms and bowing her head, in a sequinned strapped dressalr

We’re Here, We’re Queer

Jenni Olson in Conversation with Michael Bronski
Screening on Film

The brave, fabulous, sexy LGBTQ trailblazers of our past have many valuable and inspiring messages for the queers of today. This eclectic showcase of some of those forebears includes the original long-format trailer for Ed Wood’s problematic yet beloved (“trans canon”) 1953 feature, Glen or Glenda (I Changed My Sex); the 1973 Canadian short, I Am Something Else, an earnest portrait of three trans women just a few years after Stonewall; the rarely seen fifty-year-old sex education film In Winterlight, which portrays a lesbian sexual encounter in a California cabin; the legendary and cathartic 1977 TV news clip in which Anita Bryant's "Save Our Children" press conference is zapped by a pie-wielding gay activist (a terrific example of queers countering the virulent homophobes of the Christian Right); amazingly moving Super 8 documentation of the 1978 wedding of gay activist Chuck Bayles (AKA: Flame, Empress XI— part of the Imperial Court) and his partner Vince at San Francisco’s Metropolitan Community Church; a zany performance from the Sisters of Perpetual Indulgence in Marjorie Newman’s Altered Habits; and Bill Daughton’s Halloweenie, in which a young gay activist dresses up as a six-foot penis for the annual Greenwich Village Halloween parade. 

The highlight of the program is the remarkable 1967 gem, Queens at Heart, a film that had been essentially lost, with nothing written about it in LGBTQ film literature, until a 35mm print of the film was unearthed in the 1990s (by yours truly) and was subsequently restored by the Outfest UCLA Legacy Project. A rare and poignant glimpse into pre-Stonewall queer life, Queens at Heart introduces Misty, Vicky, Sonja and Simone—four courageous trans women who candidly discuss their personal lives with a lurid male interviewer who claims to have spoken to "thousands of homosexuals” (and who clearly doesn’t understand the difference between sexual orientation and gender identity). The film covers a New York City drag ball and follows the women through their daily lives. They talk about their double-lives—going out as women at night but living as men during the day, and about how they take hormones and dream of "going for a change." One talks about avoiding the draft, another about her fiancé and another about the torment of childhood as an effeminate youth. Their candor and courage are a remarkable gift to the queers of the new millennium. Queens at Heartoffers a vivid and compelling lens on how far we have come as a movement while giving a deep (and wildly entertaining) understanding of what it was like to be transgender at a very different time in history, more than sixty years ago. — Jenni Olson 

Content Warning: I Am Something Else includes graphic surgery footage; In Winterlight includes explicit sex; and Queens at Heart features some rude and obnoxious transphobia.

PROGRAM

  • Glen or Glenda – long trailer

    Directed by Edward D. Wood Jr..
    US, 1953, 16mm, black & white, 4 min.
    Print source: HFA
    Dolores Fuller in a strapless top and fur stole looks miffed with Ed Wood Jr who kneels next to her
  • I’m Something Else

    Directed by Deborah Peaker.
    Canada, 1973, 16mm, color and b&w, 19 min.
    Print source: HFA
    a 70s transsexual woman applies eye make up in the mirror
  • In Winterlight

    Directed by Laird Sutton.
    US, 1974, 16mm, color, 18 min.
    Print source: HFA
  • Anita Bryant Pie in the Face

    US, 1977, 16mm, color, 2 min.
    Print source: HFA
    Anita Bryant speaking at a news conference
  • Chuck & Vince: Wedding of the Year

    Directed by Christine Wynne.
    US, 1978, Super 8 transferred to digital video, color, 6 min.
    Copy source: Filmmaker
  • Altered Habits

    Directed by Marjorie Newman.
    US, 1981, 16mm, black & white, 3 min.
    Print source: HFA
    two men dressed as nuns singing and dancing before the cross
  • Halloweenie

    Directed by Bill Daughton.
    US, 1986, 16mm, color, 12 min.
    Print source: HFA
    a young white man painting a giant papier mache penis
  • Queens at Heart

    US, 1967, 35mm, color, 22 min.
    Print source: HFA
    a 1960s drag queen raising her arms and bowing her head, in a sequinned strapped dress

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