two women in traditional Japanese dress stand next to each other, bodies facing sideways and turned toward the camera, one with a cigarette hanging out of her mouthalr

A Story of Floating Weeds
(Ukigusa monogatari)

Kataoka Ichiro Benshi Performance
Live Musical Accompaniment
Screening on Film
$15 Special Event Tickets
Directed by Ozu Yasujiro.
With Sakamoto Takeshi, Iida Choko, Mitsui Hideo.
Japan, 1934, 35mm, black & white, silent, 86 min.
Japanese intertitles with English subtitles.
Print source: Janus Films

A loose adaptation of The Barker (1928) by George Fitzmaurice, A Story of Floating Weeds follows a touring actor who refuses to settle down, and the reverberating effects his noncommittal lifestyle has on those around him. As a troupe of kabuki actors adapt to their latest destination and prepares to perform, their leader Kihachi (Sakamoto Takeshi) steals away to see his former lover Otsune (Iida Choko). Otsune has been raising their son Shinkichi (Mitsui Hideo), who believes Kihachi to be his uncle. What Kihachi imagined to be a simple pit stop ends in failed promises and thwarted dreams, through which Ozu connects Kihachi’s mediocrity as an artist to his inability to be a responsible father or a respectful lover. With its dwindling size, the touring troupe becomes a metaphor for Kihachi’s impossible attempt to flee from these interconnected responsibilities. Along with its color remake Floating Weeds, A Story of Floating Weeds is one of Ozu’s only surviving films about artists, making it an especially significant work in illuminating Ozu’s view of the artist as a marginalized yet vital member of society.

Live musical accompaniment by Robert Humphreville.

Part of film series

Read more

Ozu 120: The Complete Ozu Yasujiro

Current and upcoming film series

Read more

Melville et Cie.

Read more

Psychedelic Cinema

Read more

Fragments of a Faith Forgotten: The Art of Harry Smith

Read more

António Campos and the Promise of Cinema Novo

Read more
sepia photo of Artie Freedman in silhouette with a video camera at show

Boston Punk Rewound / Unbound. The Arthur Freedman Collection

Read more

The Yugoslav Junction: Film and Internationalism in the SFRY, 1957 – 1988

Read more

From the Jenni Olson Queer Film Collection

Read more
a mausoleum that looks like a miniature Spanish cathedral, next to a variety of others, against an evening sky

The Night Watchman by Natalia Almada

Read more
a double-exposed image that includes a 16th century Russian man being fed grapes by another amid decadent decor

Wings of a Serf