
A brisk and insightful comedy, Equinox Flower was the last film by Ozu to feature the great Tanaka Kinuyo, who brings unique elan to her role as Hirayama Kiyoko, subtly guiding her daughter’s attempt to forge her own path against Kiyoko’s rather obtuse husband, whose stubborn and openly hypocritical positions are subtly embodied by Saburi Shin—like Tanaka, an actor-turned-director who seemed to intuitively embody Ozu’s multi-layered characters and mise-en-scène. With Equinox Flower Ozu shifts his attention and even sympathies to the younger generation while offering a gentle critique of their elders. For his first color film, Ozu embraces a bold palette that favors variations of his favorite red and gives new energy and emphasis to the objects and costumes that the famously fastidious director helped select and design. A bright vermillion teapot thus appears frequently in the Hirayama home, each time in a slightly different place, like a musical note dancing across the shots to punctuate and humorously comment on the subtly shifting roles between father, wife and daughter. – HG
Part of film series
Screenings from this program
Late Spring

Tokyo Story

Early Summer

Passing Fancy

Dragnet Girl

Tokyo Story

A Story of Floating Weeds

Days of Youth

The Flavor of Green Tea over Rice

Early Spring

The Munekata Sisters

Floating Weeds

Good Morning

Late Autumn

Tokyo Twilight

The Brothers and Sisters of the Toda Family

I Flunked, But …

Late Autumn

Where Now Are the Dreams of Youth?

The End of Summer

Early Spring

Café Lumière

Tokyo Story
