A woman in traditional Japanese dress and a man with a beret, sitting next to each other looking despondentalr

Passing Fancy
(Dekigokoro)

Kataoka Ichiro Benshi Performance
Live Musical Accompaniment
Screening on Film
$15 Special Event Tickets
Directed by Ozu Yasujiro.
With Sakamoto Takeshi, Tokkan Kozou, Obinata Den.
Japan, 1933, 35mm, black & white, silent, 101 min.
Japanese intertitles with English subtitles.
Print source: Janus Films

Passing Fancy is the first of Ozu’s films about the misadventures of Kihachi, and his second film to win the Kinema Junpo first prize. Sakamoto Takeshi’s Kihachi is extremely careless and given to temper tantrums, though occasionally he beams with the goofy glow of Chaplin’s tramp. In Passing Fancy, Kihachi is a brewery worker who lives in a tenement with his son Tomio (Tokkan Kozou, in his best performance), a bright student bullied for his father’s reputation as a “big idiot.” Despite his particular class status, Kihachi is a prototype for many of Ozu’s patriarchal figures, who expect the love and respect of their children without necessarily expressing any love or respect themselves. When Kihachi falls for a woman (Fushimi Nobuko) who does not return his feelings, the consequences of his drunken negligence awaken a dormant sense of paternal responsibility that exceeds the bare minimum he offered in the past. A continuation of the stylistic maturation apparent in Ozu’s three films from 1933, the restrained Passing Fancy uses only deep focus, close-ups of scattered objects and desolate spaces, and slight movements to invoke an overwhelming feeling of isolation.

Live musical accompaniment by Robert Humphreville.

Part of film series

Read more

Ozu 120: The Complete Ozu Yasujiro

Current and upcoming film series

Read more

Psychedelic Cinema

Read more

Fragments of a Faith Forgotten: The Art of Harry Smith

Read more

António Campos and the Promise of Cinema Novo

Read more
sepia photo of Artie Freedman in silhouette with a video camera at show

Boston Punk Rewound / Unbound. The Arthur Freedman Collection

Read more

The Yugoslav Junction: Film and Internationalism in the SFRY, 1957 – 1988

Read more

From the Jenni Olson Queer Film Collection

Read more
a mausoleum that looks like a miniature Spanish cathedral, next to a variety of others, against an evening sky

The Night Watchman by Natalia Almada

Read more
a double-exposed image that includes a 16th century Russian man being fed grapes by another amid decadent decor

Wings of a Serf

Read more
a close-up of a Bissau-Guinean woman wearing a scarf on her head and looking directly at the camera with a slight smile

Le Dépays + Sans soleil