Europa 51 is the second in a trilogy of post-neorealist films that Rossellini made in the early 1950s with Ingrid Bergman. In each of the films, he cast the celebrated actress in roles that gave him a new perspective through which to capture aspects of Italian society. Here, Bergman plays a wealthy American living in Rome whose life is shattered by the suicide of the beloved young son whom she has ignored. Taking the advice of a politically engaged friend, she turns to families in real need and finds solace in selfless acts of giving. The world from which she came, however, interprets such 'communistic' activities as a sign of madness.
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Treasures From The Harvard Film Archive
Ballad of a Soldier / The Forty-First
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Treasures From The Harvard Film Archive
Nightfall / Great Day in the Morning
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Verboten! / Dead Pigeon on Beethoven Street
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I'll Never Forget What's 'is Name / The Jokers
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Treasures From The Harvard Film Archive
Hearts of the World / True Heart Susie
Live Musical AccompanimentScreening on Film
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Treasures From The Harvard Film Archive
Anna Christie / The Long Voyage Home
Live Musical AccompanimentScreening on Film
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Treasures From The Harvard Film Archive
Suddenly Last Summer / The Roman Spring of Mrs. Stone
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Quiet Days in Clichy / Henry and June
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Treasures From The Harvard Film Archive
The Freshman / The Sin of Harold Diddlebock
Live Musical AccompanimentScreening on Film
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The Sheep Has Five Legs / The Law is the Law
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Hobson's Choice / Sidewalks of London
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Treasures From The Harvard Film Archive
I Know Where I'm Going / Outcast of the Islands
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Treasures From The Harvard Film Archive
An Inspector Calls / The Belles of St. Trinian's
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Treasures From The Harvard Film Archive
Mother Joan of the Angels / Thérèse
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Treasures From The Harvard Film Archive
Dawn of the Dead / Strange Behavior
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