The first feature from conceptual artist Miranda July, Me and You and Everyone We Know explores the hesitant stop-and-start relationship between July’s artist Christine and John Hawkes’s Richard, a recently separated shoe salesman. Orbiting around the periphery of their world are Richard’s two young sons, his co-worker, and the teenage girls whose sexual advances confuse and inspire them. As its title suggests, by the film’s end the tangentially related characters seem to have created a community of sorts, forming tentative bonds. July’s exquisite eye for detail and unique sensibility illuminate the faltering steps her characters take toward each other with delicate grace.