Paris Belongs to Us
(Paris nous appartient)
Screening on Film
With Lillian Gish, Richard Barthelmess.
US, 1919, 35mm, black & white, silent, 80 min.
In contrast to such vast and epic Griffith productions as Intolerance and The Birth of a Nation, this intimate melodrama was shot in a mere eighteen days in the studio on a modest budget. Still, at least one critic considered it his “most perfect, and perhaps his most engaging” film. Set in the Limehouse district of London, the story concerns the undying devotion of a Chinese merchant (Barthelmess) for a young working-class waif (Gish) who is abused by her brutish father, a local boxer. Although the typical Griffith stereotyping of race and class is not absent from this production, the exquisite performances and memorable portraiture (especially the moment when the tragic Gish character forces a poignant smile by pushing the corners of her mouth up with her fingers) lend the story a touching beauty and emotional resonance.