alr

The Merry Widow

Screening on Film
Directed by Ernst Lubitsch.
With Maurice Chevalier, Jeanette MacDonald, George Barbier.
US, 1934, 35mm, black & white, 99 min.
Print source: Warner Bros.

The new film version of Franz Lehár’s operetta reunited Lubitsch one last time with Maurice Chevalier and Jeanette MacDonald for what would also be his final musical. The director was somewhat influenced by the grand scale of Busby Berkeley, though Lubitsch uses his dance sequences—as he does the sharp tonal changes throughout the film—to express characters’ otherwise uncommunicated feelings. Squeezed in right before the Production Code went into full effect, not everything in the film is so veiled. The carefree promiscuity of playboy Danilo provides a scandalous wealth of blatant transgression until it is challenged by the beautiful widow Sonia, who happens to be the wealthiest woman in Marshovia. With the fate of the small, nearly bankrupt country suddenly dependent on their unlikely union, the private and the public become entirely entangled, until their relationship is virtually on trial. Lubitsch’s comic rendering may be worlds away from von Stroheim’s darker, more eccentric take, but the startling symbolism within the “happy” ending remains outrageously ominous. Happily-ever-after has been sacrificed for a greater good, as well as the increasingly conservative morality of Hollywood.

Part of film series

Read more

That Certain Feeling... The Touch of Ernst Lubitsch

Current and upcoming film series

Read more

Harvard Undergraduate Cinematheque

Read more

Museum Hours: Mati Diop’s Dahomey

Read more

Albert Serra, or Cinematic Time Regained

Read more

Wang Bing’s Youth Trilogy

Read more

The Shochiku Centennial Collection

Read more

Planet at 50

Read more

The Yugoslav Junction Continues!

Read more

Theo Anthony, Subject to Review

Read more

The Ideal Cinematheque of the Outskirts of the World