By focusing on the last two months of the artist’s life, director Maurice Pialat, an established painter in his own right, eschews the more sensational aspects of Van Gogh’s biography in favor of a more contemplative portrait of his daily life. Jacques Dutronc portrays Van Gogh not as a mad eccentric but as a serious individual struggling to control his personal demons. Although the production of art is central to the story, the film gives equal attention to the day-to-day interactions of Van Gogh with his brother, his doctor, and his lover. Set in the Northern French village of Auvers-sur-Olise, Pialat’s film works at a leisurely pace to reflect on the incredibly prolific final days of the master painter.
Part of film series
Screenings from this program
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Treasures from the Harvard Film Archive: ...
The Little Match Girl
Directed by Jean Renoir, 1928
Live piano accompaniment by Peter FreisingerScreening on Film
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Treasures from the Harvard Film Archive: ...
Nana
Directed by Jean Renoir, 1926
Live piano accompaniment by Peter FreisingerLive Musical AccompanimentScreening on Film
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Treasures from the Harvard Film Archive: ...
Trailers, Trailers, Trailers
Introduced by Film Conservator Julie BuckScreening on Film
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Treasures from the Harvard Film Archive: ...
Sweet Smell of Success
Directed by Alexander Mackendrick, 1957
Screening on Film