Werner Herzog’s rendering of the vampire legend remakes what he called “the most important film ever made in Germany.” Owing its ambition (rather than aesthetic) to the 1922 F.W. Murnau classic, Herzog minimizes dialogue and formalizes acting to create a counterpart to the narrative’s descent into doom. Luminous cinematography contributes to the overall uneasiness, as does a soundtrack replete with creepy atmospherics and effects. More Gothic romance than horror film, Herzog’s foray into Dracula territory represents an ambitious experiment in historical recreation and style.
Part of film series
Screenings from this program
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Treasures from the Harvard Film Archive: ...
The Little Match Girl
Directed by Jean Renoir, 1928
Live piano accompaniment by Peter FreisingerScreening on Film
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Treasures from the Harvard Film Archive: ...
Nana
Directed by Jean Renoir, 1926
Live piano accompaniment by Peter FreisingerLive Musical AccompanimentScreening on Film
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Treasures from the Harvard Film Archive: ...
Trailers, Trailers, Trailers
Introduced by Film Conservator Julie BuckScreening on Film
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Treasures from the Harvard Film Archive: ...
Sweet Smell of Success
Directed by Alexander Mackendrick, 1957
Screening on Film