Director Hui’s melodrama is an important landmark of the Hong Kong New Wave. Shaomi Akutagawa, a Japanese journalist, arrives in Vietnam intent on documenting the country’s recovery from the war. He meets a young girl from a poor family who helps him open his eyes to the oppressive living conditions of the North Vietnamese in the years after the end of the war. Implicitly anti-communist, the film was censored in China at the time of its release, but went on to a successful showing at Cannes and the Best Picture and Best Director prizes at the 1983 Hong Kong Academy Awards.
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Treasures from the Harvard Film Archive: ...
The Little Match Girl
Directed by Jean Renoir, 1928
Live piano accompaniment by Peter FreisingerScreening on Film
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Treasures from the Harvard Film Archive: ...
Nana
Directed by Jean Renoir, 1926
Live piano accompaniment by Peter FreisingerLive Musical AccompanimentScreening on Film
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Treasures from the Harvard Film Archive: ...
Trailers, Trailers, Trailers
Introduced by Film Conservator Julie BuckScreening on Film
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Treasures from the Harvard Film Archive: ...
Sweet Smell of Success
Directed by Alexander Mackendrick, 1957
Screening on Film